(so said Lenny Bruce), and believe you me, I've tried. I had one of those Tonto suede fringe jackets when I was a lil' toughskin tyke. Anyway, this page isn't about mucoid removal, but merely a platform where I, Rollo Manhattan, "pick" my brain, comment on said pickage, and throw stuff out there to see what lands. Even with all them new-fangled iGadgets and such, it's gotten harder over the last buncha years NOT to wear stuff on one's sleeve, let alone get off, so try here I shall. Get along...
Saturday, May 12, 2007
Georgia ('s granddaughter's tits) on my mind
Ok, so I know I'm not alone in tanking this Gary Marshall stinker, but if I were you, I'd rule out seeing "Georgia Rule" for different reasons than those you may have already heard or read. Everyone seems to be saying that Lyndsay Lohan's performance in this cinematic after-school special (as a lying slut who gets soap in her mouth) is the films single asset. I disagree, there are 2, her tits. Those wonderful natural specimens of voluptuous, blossoming femality, along with her uncanny (I wonder why?!) ability to deliver lines about blow jobs and seeing/touching her de-pantified punani, are the only things that stand out in "Georgia Rule", so skip it.
Mixing a standard rich fish out of Cali water story with a tentative tale of adolescent rape is admirable of Director Gary Marshal, but it's pushing it too, esp. when the former includes hoky slapstick gags, tasteless jokes about kiddie erections and gratuitous shots of Jane Fonda's aging (yet somehow still shapely) tucas. I commend Marshall for bringing to the screen a touchy subject, but the sad thing is that what he ended up with is a Laverne Dafazio meets Big Ragu storyline (in this case, Lohan and some pick-up truck ridin', bohunk, Mormon model), uneasily trying to live alongside something bigger, and the wooden dialogue and over all cliche sitcominess that ensues makes the Director's sister Penny's clunker "Riding in Cars with Boys" seem like Oscar material by comparison.
Lohan's bi-atch Lolita keeps the soap afloat, but mainly, as I said, for visual reasons. As for her co-stars, only the oddly likeable Dermot Mulroney succeeds (did he have a hair-lip?), though his role is purely a transparent plot device to counter a fat, creepy Cary Elwes (where the hell has been?!), as the scripted "bad man". To round out the cast, Desperate Housewife Felicity Huffman, lookin' eerily like Edie Falco, plays a desperate housewife, and Jane Fonda, in the title role, has obviously kinda lost her acting ability (along with the extra skin that used to shape her face).
In conclusion, there were 2 "Georgia Rule"s I was able to take out of this film:
#1 - thumb your nose (or hold it) at so-called dramatic turns by Lyndsay Lohan, unless you can't get enough of her tits
#2 - make sure Jane Fonda does not break her rule to stop getting plastic surgery (before her plastic surgerized skin breaks off)
Regarding the title of my lil' review here, well, I cannot vouche for Barbarella of yor Jane Fonda's knockers anymore, but had Ray Charles been alive and able to behold Lohan's bountiful barbarellas, I think a certain song woulda been renamed.
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